Mathieu | Florian | Paul | Pascal  
   

10 favorites albums
SAGA
Any albums
PINK FLOYD
Any albums
CHARLES IVES
Symphonies I, II, III, IV
STEVE LUKATER
"Candy Man"
GABRIEL FAURE
Any compositions
MILES DAVIS
Any albums
CHARLIE PARKER
Any albums
UZEB
Any albums
MAURICE RAVEL
Any (except "Bolero")
FAITH NO MORE
Any albums
 

Biography

Born in 1963, Paul Sanchez grew up in a very versatile musical environment. His mother and grand father being respectively accomplished singer and Violonist, he got the chance to be exposed to all sort of music influences from classical, jazz, south american music since he was a child, surrounded by brother and sisters studying Piano and Violin.

Paul discovered classical guitar when he was 8, started classical guitar at 15 and after a couple of years his interest shifted to finger picking style. After a rather hectic period (he dropped guitar and picked up again, drop,etc..), Paul bought his first electric guitar when he was 22.

« At that time I was listening to heavy rock/metal bands (KISS, MOTÖRHEAD), progressive rock (SAGA, PINK FLOYD, YES) along with classical music. »

Started playing in cover bands and trio at 24 and after 4 years Paul had the growing feeling he was running in circle (and losing interest in what I was doing), one day, Florian (fellow keyboard player) showed up at home with a tape of band he never heard of before: UZEB / Noisy Nights.
That was a revellation, this just blew him away.

« I instantly loved the harmony, the intense, complex and beautiful guitar playing of Michel CUSSON as well as the musical arrangements and virtuosity of UZEB.
I started digging into Jazz, Jazz Fusion (heavy metal jazz), and (re)discovered in the process extradordinary musicians Miles DAVIS, Charlie PARKER, Michel PETRUCCIANI, Wes MONTGOMERY to name a few.
»

At that time Paul also started listening to more contemporary classical music in particular Charles lVES, György LIGETI, Aaron COPELAND, Gabriel FAURE and Maurice RAVEL.
He moved to Paris and Amsterdam for professionnal reasons and stopped playing almost completely for 4 years only jamming sporadically with friends.

After settling down in Geneva, Paul thought it was high time to get serious about playing Jazz/Fusion music. He enrolled in one of the local pro music school evening program and studied Harmony, jazz/blues guitar for 3 years and met very talented musicians (Ingrid WILDEMAN and Serge GENAOUI). It was at that the time Pascal SAVOYE (IGNEM Bass guitar) and Paul met (he was playing guitar by then) and started to jam together with other local musicians.

 
Links selection
» GREEN MILL Production
» PRS GUITARS
» EVENTIDE
» MESA BOOGIE
» MICHEL CUSSON
» MILES DAVIS
» PAT METHENY
» KISS
» MOTÖRHEAD
» SAGA
» PINK FLOYD
» YES
   
    PRS Artist II
PRS Semi Hollowbody
Complete Paul's Gear
 
My Gear

I'm playing (exclusively) PRS Guitars.
Back in 89 a friend of mine let me play with his PRS Artist, the sound of that guitar "haunted" me until I could afford one.
I'm considering myself very lucky to own and Artist II model (#396) I bought in 94.

5 years later I acquired real jewel from PRS. It's a Private stock Semi Hollowbody with piezo & magnetic pickups (#???).

I purchased an Eventide DSP7000 only a few months ago (still need to get familiar with this beast).

All the guitar sounds are coming out of this incredible processor. That's by far the best sounding and advanced sound processing system I have ever heard & used.

For the amplification part I rely on Mesa boogie 50/50 or 295 depending on configuration (studio or stage) both doing a great job.

I use Marshall 1960 stereo or MesaBoogie/EV 12" speaker cabinets.

 
How I use it

It's a very straightforward setup actually.

I'm using both Analog input of the DSP7000 with a split cable when playing the Artist II or magnetic pickup on Input 1 and Piezo pickup on Input 2 when playing the semi Hollowbody.

I connect the 2 analog outputs of the DSP7000 to the Mesa powerAmp Ins and then down to Marshall 4x10 1960 in stereo mode or my 2 Mesa EV 12 closed cabinets.
My greatest challenge was definitely using/programming the DSP7000 I had to program almost from scratch for some of the sounds to get what I wanted. I knew that the MesaBoogie amp and Marshall/Mesa speakers combination was working very well for me so no issue there.

For those interested the DSP7000 program algorithms I designed, just drop me a line (in the "Contact Us" section).

Samples

Available soon

   
 
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